𝟐𝟕-year-old Bangladeshi crime-writer KP Imon is popular for his crime and psychological novels, short-stories, and screenplays.

KP Imon in October 𝟐𝟎𝟐𝟏

Profile

Kishor Pasha Imon, the author of 𝟏𝟑 crime and historical novels, is a well-known Bangladeshi crime writer. He was born in Christian Mission Hospital, Rajshahi in 𝟏𝟗𝟗𝟓.

This RUET mechanical engineering graduate began writing short stories in 𝟐𝟎𝟏𝟑. His debut book, “āĻŽāĻŋāĻĨāĻ¸ā§āĻ•ā§āϰāĻŋāϝāĻŧāĻž (Interaction),” was published in 𝟐𝟎𝟏𝟔 by Batighar Prokashoni, the leading crime fiction publisher in Bangladesh. He continued his novelist career with bestsellers of the likes of “āĻ›āĻžāϰāĻĒā§‹āĻ•āĻž : āĻĻā§āϝ āĻŦā§āϝāĻžāϟāϞ āĻ…āĻĢ āĻŽāĻžāĻšā§‡āĻ¨ā§āĻĻā§āϰāĻĒ⧁āϰ (Bugs: The battle of Mahendrapur)”, “āϝ⧇ āĻšā§€āϰāĻ•āĻ–āĻŖā§āĻĄā§‡ āϘ⧁āĻŽāĻŋāϝāĻŧ⧇ āϕ⧁āϕ⧁āϰāĻĻāϞ (Sleeping Dogs Lie)”, “āϜāĻžāĻĻ⧁āϘāϰ āĻĒāĻžāϤāĻž āφāϛ⧇ āĻāχ āĻāĻ–āĻžāύ⧇ (The Playroom)”, “āĻāχāĻ–āĻžāύ⧇ āϜāĻžāĻĻ⧁āϘāϰ āĻĒāĻžāϤāĻž āφāĻŽāĻžāĻĻ⧇āϰ (Return to the Playroom)”, “āĻŽā§ƒāĻ—āϤ⧃āώāĻž (Mirage)”. He signed with India’s one of the most famous Bengali publication house Abhijan Publishers in 𝟐𝟎𝟏𝟕 as his sole-publisher in India, who published 𝟓 of his novels till date.

KP Imon is also a screenwriter. His A Toy Operation Theater was well appraised by renowned film-critics and directors such as Amitabh Reza Chowdhury. He wrote over 𝟐𝟑𝟎 short stories and translated 𝟗 novels alongside his novels.

Within the engineering community, KP Imon, also known by his legal name, Musa Ibne Mannan, is currently pursuing his Ph.D. in Mechanical Engineering at the University of Texas at Dallas, focusing on materials and synthesis. Previously, this SME-certified additive manufacturing technician earned his Masters degree in the Mechanical and Manufacturing Engineering department at Texas State University.

 

Popular Books

āϚāϤ⧁āϰāĻ™ā§āĻ—

āφāĻŽāĻžāϰ āĻ…āĻĢāĻŋāĻļāĻŋ⧟āĻžāϞ āĻ“ā§Ÿā§‡āĻŦāϏāĻžāχāĻŸā§‡ āĻ¸ā§āĻŦāĻžāĻ—āϤāĻŽ!

āϏāĻžāĻĒā§āϤāĻžāĻšāĻŋāĻ• āϚāϤ⧁āϰāĻ™ā§āĻ— āχāύāĻŦāĻ•ā§āϏ⧇ āĻĒāĻžāĻ“ā§ŸāĻžāϰ āϜāĻ¨ā§āϝ āϏāĻžāĻŦāĻ¸ā§āĻ•ā§āϰāĻžāχāĻŦ āĻ•āϰ⧁āύ! āĻāϤ⧇ āφāĻĒāύāĻŋ āĻĒā§āϰāϤāĻŋ āϏāĻĒā§āϤāĻžāĻšā§‡ āĻĒāĻžāĻšā§āϛ⧇āύ āφāĻŽāĻžāϰ āĻŦāĻžāĻ›āĻžāχāĻ•ā§ƒāϤ āϚāĻžāϰ āϞ⧇āĻ–āĻž!

āφāĻĒāύāĻžāϰ āĻ•āĻžāϛ⧇ āϕ⧋āύ āĻ¸ā§āĻĒā§āϝāĻžāĻŽ āχāĻŽā§‡āχāϞ āϝāĻžāĻŦ⧇ āύāĻžāĨ¤ āύāĻŋāωāϜāϞ⧇āϟāĻžāϰ āχāĻŽā§‡āχāϞ āχāύāĻŦāĻ•ā§āϏ⧇ āϖ⧁āρāĻœā§‡ āύāĻž āĻĒ⧇āϞ⧇ āĻ¸ā§āĻĒā§āϝāĻžāĻŽ āĻ•āĻŋāĻ‚āĻŦāĻž āĻĒā§āϰāĻŽā§‹āĻļāύāĻžāϞ āĻĢā§‹āĻ˛ā§āĻĄāĻžāϰ āĻšā§‡āĻ• āĻ•āϰ⧁āύ!